The countdown to Kidman's Second Oscar Begins |
Interesting how, sixteen years after the first high-profile film treatment of a real-life Ernest Hemingway love (played by the trendsetting Sandra Bullock), there are now two similar projects due to come out in the next calendar year. On May 28th, HBO will release the uninspiredly titled Hemingway& Gellhorn (after the unprecedented Cannes premiere on the 25th, which guarantees Kidman walking the Croisette and further blurs the lines between film and TV for better or worse) and begin Kidman’s push against Julianne Moore for the 2012 Best Actress in a Television Movie/Miniseries Emmy (which are now generally won by film actresses). Seriously, does it really matter how good Kidman is? She already nabbed the Oscar over Moore for arguably Moore’s most competitive nomination back in 2002. Me thinks Kidman’s team should have considered delaying release until qualifying for next year’s awards. But, alas, Kidman appears to be building up some steam finally. I’m sure a loss won’t hurt her too badly.
While she may not reach the pinnacle of her prime in 2001-2003 (who will?), her near future is starting to look actually bright again. As of the last couple days, she has Oscar prognosticators giddy with the prospect that she might be a “late” addition to this year’s Best Actress race for The Paperboy (time will tell how big her role actually is; though, I admit, it’s hard to imagine Kidman settling for any designation less than lead (*cough*Virginia Woolf*cough*, unless it’s an obvious cameo). There’s her impending vampire film directed by Chan-wook Park. Stoker was originally rumored to star Colin Firth, who was hot off of an Oscar win for The King’s Speech. But, how could we count Kidman out of nabbing one of Hollywood’s current hottest commodities? She has begun filming Oscar-bait The Railway Man with him, already having partook in a pre-promotional junket (is this a fairly new custom, or have I been sleeping under a rock?). And, unlike how much time and effort she invested in The Danish Girl, she rather swiftly lined up the production dollars for her go-directly-to-Go-and-collect-your-AMPAS-nod for Grace of Monaco.
Bullock played Agnes von Kurowsky In Love And War in 1996, who was an American rumored to have inspired the Catherine Barkley character in A Farewell to Arms. Hemingway fell in love with her while she was a nurse working in Italy during World War I. Upon being asked for her hand in marriage after he returned to the US, she rejected the author via letter. She lived to be 102.
Annette Bening in American Beauty |
Also on the past-Hemingway lover radar is AnnetteBening. She’ll play Mary Welsh in the creatively titled Hemingway & Fuentas. Anthony Hopkins will play the title icon and Andy Garcia will play the lesser-known Fuentes, as well as cowrite and direct the film. Welsh was also an American war correspondent and was the fourth wife and widow of Hemingway. While I LOVE me some Bening, the movie’s potential is plagued with A LOT of question marks (and I’ll leave it at that).
Do you think there will be films based on Hemingway’s other wives? There is American Hadley Richardson, his first betrothed, who bore him his first son. Her life was beset with tragedy, but she had the luxury of living off various inheritances, which funded her early 1920 Parisian years with Hemingway. Nothing immediately jumps out about second wife Paulie Pfeiffer, the woman Hemingway left Richardson for, except that she had a child experiencing gender dysphoria who would later become a doctor and interpret her autopsy and attribute her death to an over secreting adrenal gland caused by a call she received from her eldest child informing her that her youngest biologically male son was arrested for using a female bathroom. Her son/daughter sounds WAY more interesting.
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