Sony is rebooting its crown jewel superhero in a few weeks with The Amazing Spider-Man. To celebrate the occasion, Cinesnatch is putting out movie spoilers for the first three feature films directed by Sam Raimi and starring Tobey Maguire, Kirsten Dunst, and JamesFranco. The first was such a solid submission (and the second held up to its promise). Having had one decent origins story only ten years ago, why bother with another, unless the producers are scared that audiences won’t be as interested in “another sequel.” But, when they have a gun to their head to make a film or lose the property, than cooler minds rarely yield inspired results.
[Image via IMP Awards]
Or, perhaps because the last one left such a bad taste in audiences' mouths (I didn’t think it was half-bad), they wanted to completely sever themselves as much as possible from any associations (kind of like Al Gore's presidential campaign in 2000, when he played down serving as VP under the still-in-the-headlines-for-you-know President Clinton). Interestingly enough, the first two films enjoy relatively high RT ratings (while on IMDb, they don’t fare as well--weren't they once consider "the best" superhero films ever made?). But, let's face it, how many engaging, fresh stories can you squeeze out of the comic book genre, especially when the discussion is about one particular franchise? The reboot was inevitable. Whatever the case, in the original Spider-Man feature film (which I waited so long for, having only had the crappy TV movies as a kid, I felt too old by the time it rolled around), we watch Peter Parker (Maguire) become the spandex-clad web-slinger as he learns the lesson that all ego must be removed from a true crime fighter or, as Uncle Ben would put it, “With great power, comes great responsibility.” There is also the parallel storyline of Norman Osborn's own transition to monstrous strength and ability as technology taps into his negative human traits and turns him into the Green Goblin, contrasting the title good guy's journey. The offspring of a happy accident verses the desperate measures driven by corporate pressures butt heads throughout. William Dafoe is perfectly cast in his cheesy but frightening Alienesque identity. This first full length feature treatment of the arachnid-themed superhero reminded me of Tim Burton’s first Batman in some ways. Burton's initial foray (and second for that matter) were very mood heavy and concentrated on the aesthetic, giving the film a serious, yet still cartoonish veneer. Though still a tad buffoonish, Raimi's 2002 film focused more on the story and provided a better grounding for the subsequent sequels. He completed camera roll in New York City a few months before 9/11 happened. After the jump, you'll find the Movie Spoiler Summary.
[Image via IMP Awards]
Or, perhaps because the last one left such a bad taste in audiences' mouths (I didn’t think it was half-bad), they wanted to completely sever themselves as much as possible from any associations (kind of like Al Gore's presidential campaign in 2000, when he played down serving as VP under the still-in-the-headlines-for-you-know President Clinton). Interestingly enough, the first two films enjoy relatively high RT ratings (while on IMDb, they don’t fare as well--weren't they once consider "the best" superhero films ever made?). But, let's face it, how many engaging, fresh stories can you squeeze out of the comic book genre, especially when the discussion is about one particular franchise? The reboot was inevitable. Whatever the case, in the original Spider-Man feature film (which I waited so long for, having only had the crappy TV movies as a kid, I felt too old by the time it rolled around), we watch Peter Parker (Maguire) become the spandex-clad web-slinger as he learns the lesson that all ego must be removed from a true crime fighter or, as Uncle Ben would put it, “With great power, comes great responsibility.” There is also the parallel storyline of Norman Osborn's own transition to monstrous strength and ability as technology taps into his negative human traits and turns him into the Green Goblin, contrasting the title good guy's journey. The offspring of a happy accident verses the desperate measures driven by corporate pressures butt heads throughout. William Dafoe is perfectly cast in his cheesy but frightening Alienesque identity. This first full length feature treatment of the arachnid-themed superhero reminded me of Tim Burton’s first Batman in some ways. Burton's initial foray (and second for that matter) were very mood heavy and concentrated on the aesthetic, giving the film a serious, yet still cartoonish veneer. Though still a tad buffoonish, Raimi's 2002 film focused more on the story and provided a better grounding for the subsequent sequels. He completed camera roll in New York City a few months before 9/11 happened. After the jump, you'll find the Movie Spoiler Summary.
Dunst refusing the advances of True Blood's Alcide (Joe Mangeniello)? |
The delana flying spider from the family sparassidae |
Shan Omar Huey as a teacher in a nominal role, knows how to leave an impression, showing up Manganiello AND James Franco |
So, does this genetically engineered spider .... |
"It's cold," Norman quivers. |
Hello Tobey Maguire! Thanks for bringing the guns out. |
Maguire's hair looks great here |
Peter arrives home late, having forgotten the promise he made to Uncle Ben about painting the house. His guardians left him dinner anyway. While Peter takes out the garbage, he chats with MJ who has just had another run-in with her father. They discuss their plans post-graduation. They both want to move into the city; Peter’s dream is to be a photographer and MJ a theatre actress. “I cried like a baby when you played Cinderella,” he tells her. Flash picks her up in his brand spanking new sporty car. Peter decides he needs money fast to buy one of his own. He designs a costume for a wrestling match he enters, where the prize is $3,000. Peter practices his web-slinging in his room. Norman reads an article announcing that rival company Quest may beat his company out of a contract. In the car, Uncle Ben discusses Peter’s erratic behavior of late. When mentioning Peter’s fight with Flash, Uncle Ben utters the soon to be oft-repeated line, “Remember, with great power, comes great responsibility.”
He arrives at the wrestling content, where The Help’s recent Oscar winner Octavia Spencer sizes him up and warns the comparatively diminutive Peter, “There’s no featherweight decision, you small fry.” The ring announcer (Raimi regular Bruce Campbell, who has different roles in all three films) isn’t crazy about his name either. “’The Human Spider’, is that the best you got? … well, that sucks.” The host fortuitously makes the executive decision to change it to “Spider-Man.” Peter shows up in a costume that isn’t quite as sharp as the one he designed. After being taunted by onlookers, a house-sized cage locks Peter into the ring. After his opponent tries to bludgeon him with a few heavy objects, the more agile Peter with his new abilities outwits him. The wrestling promoter (Larry Joshua) stiffs Peter the promised $3,000 on a technicality. A hood (Michael Papajohn) walks in and steals the money. The promoter complains and Peter calls back to a comment the guy made earlier, “I missed the part where that’s my problem.” (But, it is, Peter, it is.)
"Times Square" |
Dunst hanging on by a thread |
Beautifully composed shot |
Brilliantly filmed schizophrenic scene |
MTV Movie Award Best Kiss winners 2003 |
New York's finest Myk Watford |
Also fine Bill Calvert |
The next day, Spider-Man saves a baby from a burning building. However, the Green Goblin tricks him back into the building, enlisting his partnership yet again. He starts launching Goblin throwing stars and they engage in another fight. At Peter and Harrys’ apartment, Aunt May, MJ and Norman join them for Thanksgiving dinner. Peter is late, of course, and must at first hide, as he is still in costume from his last altercation. Norman’s intuition leads him to suspect something strange is going on and it dawns on him that Peter is Spider-Man. On his way out, in a fit of rage, Norman leaves dinner prematurely and suggests to Harry that he dump MJ.
Back at his penthouse, Norman’s alter ego demands he go after Peter’s heart in order to destroy him. The Green Goblin shows up at Aunt May’s and sends her to the hospital. When Peter rushes to her side, it occurs to him that the Green Goblin has figured out his secret. MJ checks in on her the next day and reveals to Peter that she’s in love with Spider-Man. They have an intimate moment where Peter kind of expresses how he feels about her in a roundabout manner—but not entirely—bringing her to joyful tears. At Norman’s penthouse, Harry informs his father that it’s over with MJ and father and son reconcile.
Peter has nightmares about the Green Goblin while at Aunt May’s side. When he wakes up, Aunt May prods him to come clean to MJ about his true feelings towards her. His instinct is to call her, but the Green Goblin has kidnapped and placed her atop a high building and begins to wreck havoc around New York. Spider-Man arrives and the Green Goblin makes him choose between saving MJ and a Roosevelt Island air tram full of kids. Of course, he’s Spider-Man and manages to do both. Citizens begin to give the Green Goblin a hard time as he tries to interfere with Spider-Man’s heroism. A Goblin grenade injures Spider-Man and he begins a violent assault. “You’ve spun your last web, Spider-Man,” he announces as he tries to kill him with a pitchfork. However, Spider-Man escapes his clutches and flattens him by pulling down a huge brick wall. Norman reveals his identity and elicits his sympathy, before a plan to kill Peter backfires and results in his own death. Before he dies, he requests that Peter never tell Harry about his secret. Harry pulls a gun on Spider-Man when he watches him return the dead body of his father, but doesn't have a chance to shoot him as he leaves.
At the funeral, Harry swears to Peter that he will one day make Spider-Man pay for his father’s death. MJ confesses her love for Peter. They kiss, but it isn’t as hot as the upside down exchange in the alley while Peter was in his Spider-Man suit. Peter’s burden of being a crime-fighter prevents him from being in a relationship with MJ. He leaves her in tears and we watch Spider-Man sail throughout Manhattan via his trademark mode of transportation. Peter sadly ends the first installment, "No matter what I do, no matter how hard I try, the ones I love will always be the ones who pay."
Stay tuned for Movie Spoilers for the two Raimi sequels!
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